By Graham Thompson
This booklet appears to be like past the typical label of 'Ronald Reagan's the United States' to chart the advanced intersection of cultures within the Nineteen Eighties. In doing so it offers an insightful account of the foremost cultural sorts of Nineteen Eighties the USA - literature and drama; movie and tv; tune and function; paintings and images - and influential texts and tendencies of the last decade: from White Noise to Wall road, from Silicon Valley to MTV, and from Madonna to Cindy Sherman. A centred bankruptcy considers the altering dynamics of yankee tradition in an more and more globalised marketplace.
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